Not only the varied political history of our island, but also the cultural history of Helgoland has special significance.
Here we walk in the footsteps of Franz Kafka or Heinrich Heine, and here the text of the national anthem of the Germans, written by August Heinrich Hoffmann von Fallersleben, was created in response to the call for “unity and justice and freedom”.
Perhaps on the west coast we will experience Heine’s “high vaulted sky that resembles the dome of a Gothic church”.
And listen to the “sea waves” that “rush like a water organ.”
“Whoever has not seen such a thing,” we may say with Helgoland visitor Georg Christoph Lichtenberg, “dates a new life from such a sight and reads all descriptions with a new sense.”
After Lichtenberg, Heinrich von Kleist, Friedrich Hebbel and the Swedish poet August Strindberg experienced Helgoland.
As a contemporary, James Krüss described his home island. His enchanting book “My Great-Grandfather and I” is read in 35 countries alone.
What the poets translated into language inspired the composer Anton Bruckner to his work ” Helgoland” for male choir and large orchestra.
Time and again, the island with its bizarre red rock, green land and white sand has also attracted visual artists.
The photo “Helgoland at heavy sea” by Franz Schensky is one of the most famous Helgoland motifs.
Our theme trail leads to those places where Eberhard Schmidt and Gustav Schönleber, the genre painters Christian Ernst Bernhard Morgenstern and Rudolf Jordan, the marine painters Hans Bohrdt and Claus Bergen set up their easels and where, in more recent times, the ingenious Horst Janssen took up his drawing pencil.
What brushes and paints were for the painters, the camera was for Franz Schensky.
He captured the stormy Heligoland in unique photographic documents and achieved world renown with the first aquarium photographs.